Magical Realism in Postcolonial British Fiction

This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie’s Midnight`s Children (1981), Shashi Tharoor`s The Great Indian Novel (1989), Ben Okri`s The Famished Road (1991), and Syl Cheney-Coker`s The Last Harmattan of Alusine Dunbar (1990). The main focus of attention lies on the ways in which the novelists in question have exploited the potentials of magical realism to represent their hybrid cultur ...